The Changing Image of Women Position in Chinese Film Since 1950s Essay

The Changing Image of Women Position in Chinese Film Since 1950s Since 1950s, after the Chairman monoamine oxidase Zedongs Yann conference, art and literature had strictly become tools of promoting the ideology of communist companionship, that is, the product of art and literature in China piece of ass be classified as highly popanganda. Chairman Mao Zedong and his communistic Party strongly suggested the equality of both genders - male and womanly. To promote Maos theory, certain kind of strong female person characters image had been created in flashs since 1950s, and furthermore, the images of these female characters were changing during the time period. The common features of the female characters in Chinese film are usually being victimize, they always suffered under certain practice feudal rules, the effect of capitalism, the landlord, or fall victim to certain politics. And the films always targeted on how these female characters fight against those reasons of s uffering, and creating tensions to the narrative because these confrontations. During the Cultural Revolution, a precise popular female image had created, it is the White Hair Girl (Baimao N) (1972) This female character image is a tough, strong and full of annoyance to the feudal landlord who insulted her and her family. Her desire is very obvious -- to revenge. And finally, she ended up with a heroic image in the film with the help from Chairman Mao Zedong and his Communist Party. However, this film rarely announced the realistic of a female character, that is, despite the obsession hatred of White Hair Girl toward the landlord, and the contentment of starting a new life with the Communist Party, audience can rarely feel the other kind of emotion from this female character, for example, the desire of to be loved, is absent in this film. Therefore, in the other hand, a nonher marvel had been raisen Do the White Hair Girl necessary to be a female character when she has nt shown any of the desire of female? In this film, White Hair Girl is not necessary to be a female, only the reason for it is , a victimized female is more lightsome to grip audiences sympathy. And this also suggested the correct of women as women itself is not important during that period. But obviously, this film is just purely a popanganda from the Communist Party during the Cultural Revolution - a model performance (geming yangbanxi) ... ...story. The fighting of old convention and the suffered women are only just part of the problems in China. However, from the popularity of The Yellow Earth and The tearing Sorghum in China, we can knew that the problems that corresponding to the films are liquid existed quite often in the recent China. This suggested that although the position of women image in the recent film had being risen, but still there are many women and social problem remains in China today.BibliographyMcDougall, Bonnie S., The Yellow Earth, The Chinese Univ rsity Press, Hong Kong, 1991Ng, Yvonne, Imagery and Sound in Red Sorghum, 1996FilmographyCheung, Yimou, Red Sorghum, (1987)Chen, Kaige, The Yellow Earth, (1984)The White Hair Girl (Baimao N) (1972)BibliographyMcDougall, Bonnie S., The Yellow Earth, The Chinese Univrsity Press, Hong Kong, 1991Ng, Yvonne, Imagery and Sound in Red Sorghum, http//www.arts.uwaterloo.ca/FINE/juhde/yvo951.htm, 1996FilmographyCheung, Yimou, Red Sorghum, (1987)Chen, Kaige, The Yellow Earth, (1984)The White Hair Girl (Baimao N) (1972)